A further post filter (Image filter), also synchronized with the resampler, gives control over the amount of aliasing images appearing above resampling frequency when enabled. Two optional anti-alias filters - A very steep low-pass pre-filter (Approximative Filter) coupled with the resampling frequency that removes all harmonic content above it, ensuring no aliasing will appear below this frequency in the spectrum.More control than any other effect of this typeĭecimort isn’t just another bitcrusher with only bit resolution and sampling frequency to tweak in fact, it provides far more advanced features than you likely could have ever expected from an effect of this kind, all implemented in stunning quality: Unwelcome artefacts are completely absent in the processed signal: only the desirable, modelled ones remain.

The advanced signal processing algorithms within Decimort simulate the complex behaviour of the entire sampling path that exists in every AD/DA converter, and with version 2 comes far greater control over the process!ĭecimort has zero internal aliasing-in fact, the only aliasing present is the emulated aliasing of the classic samplers we modelled when creating it.

While this tagline may seem like an oxymoron on the surface, allow us to explain: the Decimort effect unit (available as part of the SilverLine collection of plugins from D16) is a premium grade bit crusher and sample rate reducer with some highly unconventional features. The highest quality low-quality effect you can buy Decimort recreates this colouration and adds that vintage sampler magic back to any loop, any bassline, or any sound played through it for that matter! Beyond vintage sampler emulation, it’s also the perfect bit-crusher with filter, capable of extreme settings for dramatic results. This sound colouration was due to the encoding techniques, lower sample rate and bit depth, and conversion circuits used by these early samplers. Decimort recreates the colouration and adds the vintage sampler's magic to any soundĭecimort recreates the colouration and adds the vintage sampler's magic to any sound.Įlectronic music (especially Hip-Hop) producers have long been aware that classic samplers (such as early Akai and E-MU units) had a character and sound all their own: they added a 'grit' and 'colour' to the samples and loops they played back which made them sound 'fat' and sit well in a mix.

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